This is the Whitney in NYC. It actually was my least favorite museum. Two of the floors were shut off having the next exhibits installed. The ones that were open had very very modern art where it became difficult to appreciate. There was this part of the floor on one of the floors, I think it was the fourth floor, where the floor was mirrored. My friend who went with me and I were both wearing skirts. We both were about to step onto it, and jumped all the way back noticing the floor. We were quite amused.
Monday, October 22, 2007
my 6 museums
This is the Whitney in NYC. It actually was my least favorite museum. Two of the floors were shut off having the next exhibits installed. The ones that were open had very very modern art where it became difficult to appreciate. There was this part of the floor on one of the floors, I think it was the fourth floor, where the floor was mirrored. My friend who went with me and I were both wearing skirts. We both were about to step onto it, and jumped all the way back noticing the floor. We were quite amused.
Wednesday, October 17, 2007
Just a heads up....
My latest post ended up popping up beneath the two I posted earlier this week, since I actually started it last week. Just scroll down past the Griswold and New Britain posts to find it.
Thanks again,
Chas
Drum roll please.....
So let me spill the beans a little bit... I only took this course because I have such a busy schedule that I was hoping to find a class that was either blended and meeting on the same night as my other class, or completely online. The advisor (I'm not telling who!) said that this would be an easy class where you go to a couple of museums and take pictures of yourself standing in front. Maybe write a paper or two.... you know easy credits. Boy was that ever wrong. This class takes a lot of time and effort, definitely more time than any other course I've taken, but I must say IT HAS BEEN SO WORTH IT! I have learned so much and have really had a good time doing it. This was the perfect course for someone like myself, i.e. someone with absolutely no knowledge of art or art history. The best part about it is that I can't imagine ever having another boring weekend. I now know that anytime it feels like there is just nothing to do...go to a museum!
So thank you, everyone, for sharing your experience with me :)
Tuesday, October 16, 2007
Finish Up Week!
If anyone has questions or needs help, please don't hesitate to email me.... Next time you are on campus stop in and say hello... I would love to meet you in person! Hope to see you again online!
-Jerry
Monday, October 15, 2007
THE MET MUSEUM OF ART
Friday, October 12, 2007
Thursday, October 11, 2007
Careful! You too might be this dumb!
This is NOT the Metropolitan Museum of Art!
So as usual I'm in a total rush to get from point A to point B (it's just the way I'm wired). I glanced at Google maps before making my trek and saw that the MET is butted up against Central park and got a general gist of how to get there from the Hudson. My girlfriend and I saw this huge museum and then immediately spotted rock star parking right near it. Out we hopped, rushed up the stairs (after snapping a few choice shots of the statue outside), and then stood in line for 20 minutes. We paid the $30 "donation", got our floor plan, made a quick bathroom stop, and then I looked at the map to plot out our course.... OOPS :) We were in the Museum of Natural History!!!
We ended up at the MET later... I am working on the blog now. Come check it out when you are done laughing ;)
Sunday, October 7, 2007
Wadsworth Atheneum Museum of Art
Thursday, October 4, 2007
Wednesday, October 3, 2007
Sunday, September 30, 2007
Museum Etiquette
We all know most of this but it's probably a good idea to state it here anyway....
1. Taking notes...pen or pencil? Always use a pencil inside a museum... That goes for the library area and the archives... Curators are worried that if any pen should get on a piece, it will be much harder to repair than if you use pencil... Most guards are on the look-out for this...
2. Touching.... The need to touch is very human and very powerful when you are drawn to a piece you really like... Sadly, the oils on your hands as well as the abrasion from constant touching would destroy a piece pretty quickly. Museums are in the business of preserving art for future generations.... Guards would pounce on this too....
3. Flash on Camera... You've heard (actually read) me say this before, but flash is also very destructive to delicate pigments in paintings, drawings and prints. Always turn your flash off before entering the museum so you don't give the guards another reason to come running!
4. Tripods are a no-no because they could trip up another patron, who might go flying into that delicate painting, you were trying not to harm by keeping your flash turned off....
That pretty much covers the main points... Remember to take your time, have fun and be amazed....
Tuesday, September 25, 2007
If you're headed west anytime soon....
http://www.chrisjordan.com/current_set2.php?id=?view=XXX_09NNN/
It looks like a very cool exhibit.
Running the Numbers : An American Self-Portrait This new series looks at contemporary American culture through the austere lens of statistics. Each image portrays a specific quantity of something: fifteen million sheets of office paper (five minutes of paper use); 106,000 aluminum cans (thirty seconds of can consumption) and so on. My hope is that images representing these quantities might have a different effect than the raw numbers alone, such as we find daily in articles and books. Statistics can feel abstract and anesthetizing, making it difficult to connect with and make meaning of 3.6 million SUV sales in one year, for example, or 2.3 million Americans in prison, or 426,000 cell phones retired every day. This project visually examines these vast and bizarre measures of our society, in large intricately detailed prints assembled from thousands of smaller photographs. My underlying desire is to affirm and sanctify the crucial role of the individual in a society that is increasingly enormous, incomprehensible, and overwhelming. My only caveat about this series is that the prints must be seen in person to be experienced the way they are intended. As with any large artwork, their scale carries a vital part of their substance which is lost in these little web images. Hopefully the JPEGs displayed here might be enough to arouse your curiosity to attend an exhibition, or to arrange one if you are in a position to do so. The series is a work in progress, and new images will be posted as they are completed, so please stay tuned. ~chris jordan, Seattle, 2007 This series will be exhibited at the Paul Kopeikin Gallery in Los Angeles, opening Sep 8. More info at www.paulkopeikingallery.com.
Yale
I went to Yale this weekend. I decided to post a photo album for the works I chose. Check them out!
Jess
:-)





This display circled the room.
It was “The Art of Life In America” on egg tempera oil glaze on linen, created by Thomas Hart Benton in 1932. He wanted to show how Native Americans played an important role in the society through their Indian heritage. Move to each painting fascinated the children to tell their own story, This was my favorite exhibit.




WADSWORTH ATHENEUM MUSEUM OF ART


“SEATED ANGEL” created in 1899 & retouched in 1921 is an oil on wood, created by Abbott Handerson Thayer .
By the Seated Angel wings sitting so high, it exhibits her strength. I interpreted the gold that circles her head a wealth or honor among the angels. The expression on her face tells she’s prepared for duties.
















